I cast the interiors of well-worn women’s shoes. The castings unfold the structure of the shoe, as well as the foot’s pressure and form. The process of inversion exposes the insole- the surface where the shoe receives the body. Wear, residue and mar

I cast the interiors of well-worn women’s shoes. The castings unfold the structure of the shoe, as well as the foot’s pressure and form. The process of inversion exposes the insole- the surface where the shoe receives the body. Wear, residue and markings reveal traces of experience inside. 50+ pairs inhabit a four-floor stairwell of a school and former hospital. The vertical chamber is occupied by audio of the women’s voices; they speak of embodied experience and physical wear in the world of undervalued carework and maintenance labor.

  Soles  installation with sound 50+ cement objects 2016

Soles
installation with sound
50+ cement objects
2016

soledetail2.jpg
solesw3.jpg
solesw1.jpg
solesw2.jpg
solesw4.jpg
soledetail4.jpg
solesw7.jpg
 I cast the interiors of well-worn women’s shoes. The castings unfold the structure of the shoe, as well as the foot’s pressure and form. The process of inversion exposes the insole- the surface where the shoe receives the body. Wear, residue and mar
  Soles  installation with sound 50+ cement objects 2016
soledetail2.jpg
solesw3.jpg
solesw1.jpg
solesw2.jpg
solesw4.jpg
soledetail4.jpg
solesw7.jpg

I cast the interiors of well-worn women’s shoes. The castings unfold the structure of the shoe, as well as the foot’s pressure and form. The process of inversion exposes the insole- the surface where the shoe receives the body. Wear, residue and markings reveal traces of experience inside. 50+ pairs inhabit a four-floor stairwell of a school and former hospital. The vertical chamber is occupied by audio of the women’s voices; they speak of embodied experience and physical wear in the world of undervalued carework and maintenance labor.

Soles
installation with sound
50+ cement objects
2016

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